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Publicerat januari 6, 1997januari 31, 2014 av admin

HISTORY. MEMORY. OBLIVION.

Tyvärr finns denna text endast på engelska.

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Föregående inläggFöregående Quelles mémoires pour l´art contemporain?
Nästa inläggNästa Art and Centres of Conflict – Outer and Inner Realities

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Nyöppnade konsthallen @ravinenkultur i Båstad me Nyöppnade konsthallen @ravinenkultur i Båstad med konst av bla. @maxockborn @thalevangen @viktorrosdahl samt design och möbler av @anna.kraitz
Två AICA Sweden-styrelseledamöter, Jacob Kimvall Två AICA Sweden-styrelseledamöter, Jacob Kimvall & Linda Fagerström, diskuterade @banksy i @sverigesradiop1 morse: #Repost @track172 Cyklar förbi ett av de största monumenten över #postmodernismenistockholm på väg till Sveriges radio för att samtala med @santadorotea om Banksys #loveisinthebin som ska auktioneras ut på Sothebys ikväll.
På Brännpunkt Europa, som stängde i söndags. På Brännpunkt Europa, som stängde i söndags.
#Repost @theartnewspaper.official It’s finally #Repost @theartnewspaper.official It’s finally happening. Some 60 years after Christo and Jeanne-Claude first dreamed of wrapping the Arc de Trimophe, sheets of silvery-blue fabric have started being draped down the famous Paris landmark. Arc de Triomphe, Wrapped will be officially opened on 18 September and like other such Christo projects will be temporary. On 3 October, work will begin to remove the wrapping in time for Armistice Day ceremonies. Paris monument officials have overseen the entire installation to ensure there is no mark left on the arch.
Klaus Biesenbach blir chef på nyöppnade Neue Nat Klaus Biesenbach blir chef på nyöppnade Neue Nationalgalerie i Berlin. ⤵️ - Klaus Biesenbach has now been appointed as Director of the Neue Nationalgalerie – just days before the anniversary celebrations of 30 years KW. Image: Klaus Biesenbach’s student ticket for Berlin’s transport services, 1992. #Repost @kwinstitutefcontemporaryart
Matisse's “Daisies” (1939) from the collection Matisse's “Daisies” (1939) from the collections of the @artinstitutechi is just one of the masterpieces on loan at New York’s @thejewishmuseum until January 9, 2022 for the new exhibition “Afterlives: Recovering the Lost Stories of Looted Art.” . “This exhibition traces the fascinating timelines of individual objects as they passed through hands and sites before, during, and after World War II. It chronicles the layered stories of the objects that survived, exploring the circumstances of their theft, their post-war rescue, and their afterlives in museums and private collections.” . “Daisies” belonged to Paul Rosenberg, a renowned French Jewish art dealer. It was seized by the Nazi looting organization, Einsatzstab Reichsleiter Rosenberg (ERR), transferred to the @museelouvre and then to the @jeudepaumeparis. After the war, it was returned to Paul Rosenberg, then it went into several private collectors before entering the collection of the Art Institute of Chicago in 1983. . In the colorized archival photo, Reichsmarschall Herman Göring admires two stolen paintings by Henri Matisse during one of his visits to the Jeu de Paume. Bruno Lohse, one of the Reichsmarschall’s art buyers, is holding the paintings. Repost @monumentsmenfoundation #MonumentsMenFoundation #ArtHistory
A bat in a hat. Detail from Book of hours, 15th ce A bat in a hat. Detail from Book of hours, 15th century, Abbeville, Bibliothèque Municipale, ms. 16, fol. 31v.⁣ #Repost @archaeologyart
😅😅😅 Art Museum Guard Bravely Throws Body 😅😅😅 Art Museum Guard Bravely Throws Body In Front Of Camera Flash. #Repost @theonion (Gustave Caillebotte: Parisgata i regn 1877)
#Repost När Michelangelos Yttersta domen (1534-41 #Repost När Michelangelos Yttersta domen (1534-41) i Sixtinska kapellet tvättades 🧽🧹 Se hela på @vaticanmuseums ⠀ 😲 ”Reviewing the film clips in which I clean parts of this incomparable painting, such as the head of Christ the Judge in the #LastJudgement, made me feel again the old emotions that assailed me when, with seemingly simple gestures, it resurfaced under my hands as if by magic, Michelangelo’s painting.”⠀ ⠀ 🎞 "These are images that inevitably arouse different disturbances even in those who still remember that long and exciting period, even if lived from the outside, from afar, or for those who due to their age, have only heard about or studied it, because one understands that the movement of the hand is not fake but represents pure reality, without montages or cinematic takes.”⠀ ⠀ ✍️@colalucci_conservators 🎥 ©MuseiVaticani
Diskussion på Alta Art Space i Malmö om konst ut Diskussion på Alta Art Space i Malmö om konst utanför de institutionella ramarna.
The owners of a polka-dotted pumpkin sculpture by The owners of a polka-dotted pumpkin sculpture by Yayoi Kusama, blown into the sea off the island of Naoshima in Japan, say that the piece is “severely damaged” but hope to repair the typhoon-battered work. The piece, which is over six feet tall and eight feet wide, usually sits on the tip of a pier but was dislodged by the stormy weather in the trail of Typhoon Lupit earlier this week. Images of the hollow sculpture being tossed in the Seto Inland Sea have since been a viral hit on social media. A spokesman for the Benesse Art Site Naoshima, which owns the piece, tells The Art Newspaper: “We have already collected the parts and we are about to inspect the damage and also [assess] if it’s possible to recover the work. We are willing to re-exhibit the work on the same spot but we don’t know how long this [restoration] process will take. #Repost @theartnewspaper.official #kusama #yayoikusama
➡️ Sekreteraren i styrelsen för AICA Sweden, ➡️ Sekreteraren i styrelsen för AICA Sweden, Cecilia Blomberg, rapporterar under sommaren från Paris i @sverigesradiop1 - Hej Paris! Du finns där fortfarande underbara stad❤️ #Repost @astridcecilia7
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